LETONICA No. 48 (2023)

Introduction
  • 2023
  • Jānis Ozoliņš, Kārlis Vērdiņš
  • Letonica
  • NO. 48
  • PP. 4–5
  • DOI 10.35539/LTNC.2023.0048.01, ISSN 1407-3110
The Glass Chandelier from Fischer’s Workshop in Alūksne Lutheran Church
  • 2023
  • Kristīne Budže
  • Letonica
  • NO. 48
  • PP. 6–23
  • 10.35539/LTNC.2023.0048.02
The Conflict of the Interpretation of Jēkabs Bīne’s Ornament Lecture with Stalin-Era Aesthetics
  • 2023
  • Agita Gritāne
  • Letonica
  • NO. 48
  • PP. 24–45
  • 10.35539/LTNC.2023.0048.03
Latvian Exile Artists in the 1950s–60s US Art Scene: Contexts of Social and Creative Life
  • 2023
  • Andra Silapētere
  • Letonica
  • PP. 46–71
  • 10.35539/LTNC.2023.0048.04
The Importance of Various Techniques in Latvian Textile Art of the Second Half of the 20th Century
  • 2023
  • Elīna Veilande-Apine
  • Letonica
  • NO. 48
  • PP. 72–91
  • 10.35539/LTNC.2023.0048.05
Landscape Identification in the Textiles of the Heimrāts School, in the Context of Personal Geography
  • 2023
  • Rita Broka
  • Letonica
  • PP. 92–115
  • 10.35539/LTNC.2023.0048.06
Participatory Arts: Cases of Collaborative Authorship in Latvian Art and the Culture Environment of the 1970s–80s
  • 2023
  • Laine Kristberga
  • Letonica
  • NO. 48
  • PP. 116–141
  • 10.35539/LTNC.2023.07
Post-Humanist Thought in Artwork Research: The Tiny Ontographies of Ineta Freidenfelde
  • 2023
  • Ieva Melgalve
  • Letonica
  • NO. 48
  • PP. 143–163
  • 10.35539/LTNC.2023.0048.08
Urban Monks: Contexts of the Portraits in Atis Jākobsons’s Personal Exhibition at Padure Manor
  • 2023
  • Jānis Ozoliņš, Kārlis Vērdiņš
  • Letonica
  • NO. 48
  • PP. 164–181
  • 10.35539/LTNC.2023.0048.09