LETONICA No. 55 (2024)

The Development of 20th Century Modernism in the Music of the Baltic Countries During 1940–1990 and Its Role in Overcoming Sovietic Normative Aesthetics
  • 2024
  • Arnolds Klotiņš
  • Letonica
  • NO. 55
  • PP. 4–23
  • 10.35539/LTNC.2024.0055.03
Local Identity and Comparative Aspects in Nineteenth-Century Latvian Literature
  • 2024
  • Benedikts Kalnačs
  • Letonica
  • NO. 55
  • PP. 24–41
  • 10.35539/LTNC.2024.0055.05
Political Theater Stage for Women’s Rights: Riga Workers’ Theater Performances and Discussions About the Amendments to Abortion Paragraphs of Penal Code in Latvia, 1930–1932
  • 2024
  • Sanita Duka
  • Letonica
  • NO. 55
  • PP. 42–65
  • 10.35539/LTNC.2024.0055.06
Colonialism, Resistance and (Anti-)Nationalism in Andrus Kivirähk’s The Man Who Spoke Snakish
  • 2024
  • Alfie Howard
  • Letonica
  • NO. 55
  • PP. 66–83
  • 10.35539/LTNC.2024.0055.02
Balys Sruoga’s Vision of the Future of the Theatre from the Nazi Concentration Camp in Stutthof
  • 2024
  • Vitalija Truskauskaitė
  • Letonica
  • NO. 55
  • 10.35539/LTNC.2024.0055.04
Māmiņ’ vaicā sav’ dēliņu: Translating a Latvian War Folk Song into Modern Greek (on the Occasion of the 200th Anniversary of the Greek Revolution)
  • 2024
  • Panagiotis G. Krimpas
  • Letonica
  • NO. 55
  • PP. 98–124
  • 10.35539/LTNC.2024.0055.01
Herder’s ‘Frieden Frau’ and Simonas Daukantas’s Concept of the ‘Lithuanian Wife’
  • 2024
  • Roma Bončkutė
  • Letonica
  • NO. 55
  • PP. 126–143
  • 10.35539/LTNC.2024.0055.07
Embodying Spanishness in Latvian Ballet (1923–1941): Exoticism, Identity, and Propaganda
  • 2024
  • Gonzalo Preciado-Azanza
  • Letonica
  • NO. 55
  • PP. 144–180
  • 10.35539/LTNC.2024.0055.08